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Sorolla's light has gone down in the history of art because he was able to give life to those things which were inert. Aside from the naturalism of the scenes he depicts, everything inside the painting looks even more alive, if that's possible, thanks to the light; as though the artist were not holding a brush but instead a lens capable of capturing the entire spectrum of colours found in the water, the sky and people's skin, and bestowing movement on motionless objects. For this reason when historians make reference to Sorolla they speak of Luminism, a technique which involves creating an image using different layers of light, thus achieving very vibrant colours. Standing opposite many of Sorolla's works the spectator feels physically blinded by the paintings.